![]() For a shot of Balthazar throwing a spell at Horvath and placing him into a watery suspended animation, Asylum created a flexible effect. Balthazar rescues Dave with the help of a mechanical Chrysler Building eagle, a CG creature also by Asylum. Asylum augmented the wolves to make them more vicious. Other effects included an animated dragon ring, a remote sword fight between Barthazar and Horvath and particle simulation shots of the two being sucked into an urn before Dave escapes the store.Īfter escaping the urn ten years later, Horvath unleashes a pack of wolves on Dave at an above ground train station, demanding to know where the now lost Grimhold is. Asylum handled the cockroach transformation as a large behaviour simulation. A young Dave finds his way into the store and unknowingly releases Horvath from the Grimhold, who appears as hundreds of thousands of streaming cockroaches forming into a human mass. The Grimhold, the dragon and the confettiĮarly scenes introduce viewers to Balthazar’s antiques store, the Arcana Cabana. ![]() “Physics is basically magic that has been quantified and explained specifically, but there’s many things in magic that are waiting to be discovered.” Nelson split the work between Asylum, Double Negative, Method Studios, Rising Sun Pictures, Company 3 and an in-house team. “One of the things we wanted to develop is that magic is physics and physics is magic,” said Nelson. To conjure up the visual effects for the film, director John Turtletaub looked to John Nelson to consider that both magic and science can sometimes be indistinguishable. Together they help defend New York against the evil Maxim Horvath (Alfred Molina) who is trying to release other sorcerers from the Grimhold, a magical prison similar to a nesting doll. The film tells the story of sorcerer Balthazar Blake (Nicolas Cage) who recruits unlikely physics student Dave Stutler (Jay Baruchel) as his apprentice. We take a look at some of the key work by the two lead facilities, Asylum and Double Negative. For The Sorcerer’s Apprentice,visual effects supervisor John Nelson oversaw more than 1200 shots featuring plasma ball fights, a Chinese dragon, car chases, magical creatures and the re-creation of the famous Disney Fantasia sequence.
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